When reframing makes sense
Reframing is ideal when the current frame is tired, the proportions are wrong, the materials have started to fail, or the artwork simply no longer suits the space. We see this often with family photographs, certificates, prints, posters, sports shirts, textiles and older artworks that were framed years ago with basic materials. A good reframing can improve the look immediately, while also reducing the risk of cockling, acid damage and shifting over time.
In Johannesburg and Pretoria, many clients come to us after moving house, changing office layout, or replacing a frame damaged by damp, dust or handling. Coastal clients in Cape Town and Durban often ask for better protection from humidity and salt air, while galleries in Sandton and Rosebank usually want a cleaner presentation that meets display standards. Reframing is not just about looks, it is about making the item last longer and sit properly in the space. That part matters quite a lot.
- Artwork sitting loose, bowed or touching the glass
- Frames with warped backing or worn corners
- Old mountboards that have yellowed or stained
- Pieces that need a size change for a new wall or room
- Frames with poor protection from dust, moisture or UV light
What we replace and what we keep
Every reframing job starts with a close inspection of the existing piece. Where possible, we keep the artwork intact and reuse only what still performs well. If the existing frame has sentimental value, we can often preserve the style while upgrading the structure inside it. If the original frame is damaged beyond repair, we source a better fitting option and rebuild the package around the item.
We can handle single prints, archival documents, sports memorabilia, hand stitched work, mirrors, photographs and mixed media pieces. For works on paper, we typically replace acidic backing, worn mounts and unsafe fasteners. For canvases, we can either restretch or place the canvas into a new frame setup if the current structure is failing. If the item has been framed with tape, staples or ageing board, we remove those components carefully and replace them with suitable conservation materials.
- New frame selection in wood, composite or metal-look profiles
- Fresh mount cutting in single or double mount options
- Backboard replacement with acid-free board where needed
- Spacer systems to prevent contact with glazing
- Clear, non-glare or UV-filter glazing options
How the reframing process works
We keep the process simple and practical. Clients can bring the item to our Parkhurst studio, or arrange collection in selected areas. Once we have the piece, we measure it, inspect the condition and talk through the display goals. We then recommend a size, frame style and protection level that suits the item and the room it will go into. If the current framing can be reused in part, we say so. There is no point replacing things that still work properly.
After approval, our team removes the old materials, cuts the new mount and prepares the frame to the correct internal measurement. For delicate pieces, we take extra care with surface marks, brittle paper and old adhesive. We then assemble the reframed piece, check the fit, clean the glazing and finish the back neatly. Before handover, we inspect alignment, corners and hanging hardware so the item is ready for the wall.
- Assessment and measurements
- Frame and mount recommendations
- Removal of old backing and worn materials
- Cutting, assembly and final fit check
- Collection, delivery or studio collection by arrangement
Materials and protection choices
The right materials depend on the item, the room and how long the client wants the piece to stay in good condition. In dry inland areas like Johannesburg and Pretoria, dust and direct sun are common concerns. In Durban and Cape Town, moisture control matters more. For galleries and offices, we also consider how often the piece will be handled and whether the display needs to be changed later.
We can recommend conservation grade mountboard, neutral pH backing, spacer bars, hanging systems and glazing that suits the environment. If the artwork is valuable or irreplaceable, we usually suggest upgraded protection rather than a simple visual refresh. That may include UV filtering glazing, extra spacing to stop surface contact, and a better sealed backing. For lighter decorative pieces, a more straightforward setup may be enough. The aim is always practical protection, not overcomplicating the job.
- Acid-free mountboard for paper and photographs
- UV-filter glazing for sunlight-exposed walls
- Non-glare glazing for busy interiors and offices
- Hanging hardware suited to weight and wall type
- Sealing and dust protection for cleaner presentation
Turnaround times and pricing approach
Turnaround depends on the size of the item, the condition of the existing frame and the materials selected. A straightforward reframing job may be completed faster than a large or delicate piece that needs careful removal and rebuilding. If we need to source a special profile, cut a non-standard mount or work on a fragile artwork, the timeline may be a little longer. We always discuss timing before work begins, so there are no surprises.
Pricing is based on the frame profile, glazing choice, mount requirements, labour and any restoration work needed. A simple reframe with standard materials will cost less than a full archival rebuild. If the old frame can be reused partly, that may reduce the total. For galleries, offices and larger home collections, we can price multiple pieces together so the job is easier to plan. The best way to budget is to send us the dimensions and a brief note on the condition, then we guide you from there.
- Standard reframing for everyday artwork and photos
- Mid-range upgrades with better mounts and glazing
- Archival or conservation style rebuilds for sensitive pieces
- Trade and multi-item pricing available on request
Care after reframing
Once a piece has been reframed properly, basic care helps keep it looking good for longer. Keep it out of direct midday sun where possible, especially on north-facing walls. Avoid hanging in areas with strong steam or moisture such as bathrooms and some kitchens. In coastal homes, a quick visual check every few months helps catch any early signs of corrosion or damp. In offices and galleries, the hanging system should be checked regularly if the wall gets a lot of traffic.
We usually suggest a maintenance review every 3 to 5 years for standard decorative pieces, and sooner for valuable artworks, textiles or items exposed to strong light. If the frame is moved often, or if the wall conditions change, an earlier check is sensible. Small issues like loose backing, dust entry or a slight shift in the mount are easier to correct early than after damage sets in. It saves time and money in the long run, which is the point really.
- Keep away from direct sun and damp walls
- Check hanging fixings after moves or renovations
- Review older frames every 3 to 5 years
- Bring the piece in if you notice warping, yellowing or rattle
Key facts
| Service area | Parkhurst, Johannesburg plus Pretoria, Midrand, Sandton, Rosebank, Cape Town and Durban |
|---|---|
| Typical item types | Artwork, photographs, certificates, textiles, posters, mirrors and memorabilia |
| Frame options | Wood, composite and metal-look profiles in custom sizes |
| Protection options | Acid-free board, UV-filter glazing, non-glare glazing and spacer systems |
| Turnaround | Depends on size, condition and materials, with timing confirmed before work starts |
| Maintenance interval | Check every 3 to 5 years, sooner for sunlight, coastal humidity or high-use areas |
